Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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Caravaggio Bacchus oil painting


Bacchus
mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery
Painting ID::  29938
Caravaggio
Bacchus
mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil painting


Details of Martyrdom of St.Matthew
nn05 Gentle angel for a cardinal
Painting ID::  30268
Caravaggio
Details of Martyrdom of St.Matthew
nn05 Gentle angel for a cardinal
   
   
     

Caravaggio Martyrdom of St.Matthew oil painting


Martyrdom of St.Matthew
nn05 1599-160 The theatre of cruelty
Painting ID::  30269
Caravaggio
Martyrdom of St.Matthew
nn05 1599-160 The theatre of cruelty
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil painting


Details of Martyrdom of St.Matthew
nn05 Bloddthirsty murder,fear and horror
Painting ID::  30270
Caravaggio
Details of Martyrdom of St.Matthew
nn05 Bloddthirsty murder,fear and horror
   
   
     

Caravaggio Details of Martyrdom of St.Matthew oil painting


Details of Martyrdom of St.Matthew
nn05 To bear witness and die for One's beliefs
Painting ID::  30271
Caravaggio
Details of Martyrdom of St.Matthew
nn05 To bear witness and die for One's beliefs
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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